Tag Archives: listening

searching for sugar man – documentary film review

searching for sugar man is a great documentary on a perfect subject.  jesus ‘sixto’ rodriguez is a mexican-american singer/songwriter from detroit.

he was a kind of day laborer and street angel who left an indelible effect on just about every person he ever came in contact with.  his music was like a hybrid of bob dylan and van morrison.  deep lyrics.  smooth, sweet singing style.  melodies that stay with you, haunt you even.  messages that impact you.

he got the attention of a couple of motown-related producers (it being detroit, after all) and got a record deal.  he put out a couple of albums in 1970-1971.  they didn’t sell and he was dropped from the label.

he went back to mostly working and largely forgot about music as a vocation.

but some bootlegs of his music made it to south africa, where in the brewing anti-apartheid era his songs helped usher in a generation of young people ready for change.

some record companies there begin to license his music from impresario clarence avant, who had signed rodriguez to his record deal in the first place.  over the years, it’s estimated that he sold over 500,000 records in south africa alone.  this all happened without rodriguez knowing because, well, it’s the music business.   they just kept the money and rodriguez had no idea of his overseas fame.

and about 25 years later, some of these young people are now journalists and professional adults.  they have heard rumors from the beginning of their exposure to him of his death, his suicide even.  they resolve to find out who their hero was and what happened to him.

what they find is an amazing talent with an angelic, shy temperament.   the story unfolds in a deliberate fashion, building to a most satisfying and endearing conclusion.

i posted a recent album a day about about his two studio albums.

this is a great documentary.  not because i adore and identify with it’s subject, though i do.  it’s great because, using very little set design or anything fancy, save for a couple of brief animations, they create a film that is not just in love with rodriguez, but in love with film, itself.    through the editing, the positioning of the interviews, the few file photos they have to work with and the interspersing of sixto’s great songs, film maker malik bendjelloul has created a labor of love that is a perfect work of art all it’s own.

it’s hard to believe that this is his first film, his first real….anything cinematic.  adoration of his subject and simple, honest film making techniques create a narrative that is compelling and irresistible.

i’ve been listening to rodriguez constantly for about a month now.  at least once a day i listen to all of cold fact.   i knew the story inside and out already and yet the film was a revelation.   the impact of this film on people who aren’t familiar with him is even greater.

when the film reached it’s conclusion, in a theater with about 40 attendees, almost no one moved until the very end of the credits – always a good sign.

in a small way, i can relate to rodriguez.   like a lot of people, i have these high minded ideas and art i want to pursue.  some of it is actually finished, and behind me.  some is right here on this computer.  not many have paid attention, and maybe i mostly think it’s not that good.  i’ve worked mostly manual labor my whole life, harboring this part of me, expressing it when i can and doing it when time and energy permits.

i don’t know that i’d deal with people tracking me down, a quarter century later, to tell me i was ‘more famous than elvis’ in their country because of my work as admirably as rodriguez did.   can you imagine?

after his brief music career, he just moved on with his life.  went to college.  worked.  raised three daughters.

i don’t think rodriguez ever expected anyone to come looking for him.  i don’t think he cared.  obviously the money wasn’t important to him.  but he did enjoy the recognition, after all that time.

i think some part of this film will touch so many so deeply because they, too will see themself in his story:  earnest, poetic, genuine, worthwhile, unappreciated.  having the world shake you by the collar and remind you that you are adored and acknowledged reaches into the quietest part of even the most restrained ego.

his story speaks to a true love of art and craft.  his honesty and idealism make him appear somehow holy.    he’s this gentle soul, with loving daughters, whose wistful self expression will linger on your mind like one of his beautiful songs.

below, listen to his song forget it:

and then, listen to the very catchy song i wonder:

and finally, the trailer for the film:

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album a day – rodriguez – cold fact/coming from reality

for the past week, my album a day has been these two releases from rodriguez.

he is a recent find for me, thanks to advance word about an upcoming documentary.  what a life.  his life is like a lot of the old bluesmen in that he did music, figured it was going nowhere, and went back to his life.  then some white guys come knocking, looking for the lost genius they idolize.

he is mexican-american and i guess he would be described at folk music or folk rock?    anyways, he gets into music and in 1970 gets an album put out, cold fact.  a year later he puts out another album, coming from reality.

his albums didn’t sell, and he mostly gave up on music.  but imports of his releases filtered out slowly to places like australia and south africa.  he briefly toured in the late 70s.

he stayed popular in these countries, although he really had no idea.  he was living life, and working after finishing college.  in 1998, his daughter found a website devoted to him and discovered the legend that had built up around not just his music, but his identity.  everybody assumed he was dead.

but he lives.   and as a result of his still being alive, he’s enjoying playing his songs live again and getting the attention his music deserves.

of the two albums, i really like cold fact more, but both are great listening.  cold fact is more raw, more potent.  coming from reality is more mature, more produced, almost corporate.

his voice is strong and melodic.  his lyrics are honest and searching.  what a find this guy is.

below you can hear his signature song: sugar man

and below, hear his dylan-inspired song establishment blues or ‘this is not a song, it’s an outburst’.  what a great title.

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album a day – guided by voices ‘class clown spots a ufo’

today’s album a day was guided by voices – class clown spots a ufo.

guided by voices, or gbv, are definitive indie rock.   the heart of the band is it’s singer/songwriter, robert pollard, who boasts having written over 1500 songs in the bmi catalog.

this can be a good and a bad thing.  this could be a truly great songwriter who is constantly inspired.  or, it could be a songwriter who refuses to let go of any idea, even if it’s not a good one.  added to which, a lot of gbv songs are simple and short, often stopping abruptly in the middle of a tune or morphing into something else.   don’t get me wrong – this is the part of gbv i like, that experimental component a lot of their stuff has.

some of pollard’s songs are truly beautiful, lyrically – and some are just throwaways.  musically, the band is always fun, if not interesting.

below, see one of the few pics i could find with not a single of the members of gbv smoking.   they seem really proud of the fact that they really like to drink and usually at least one of them never stops smoking long enough for even a picture to be taken…

they often sound like they could be a british band, given the singing style.  then they sound prog-rock.  then they sound almost pure pop before seeming like hard driving rock or punk.  i like the varying styles, the hard edge, the soft center and the ebb and flow of it all.

they put out three albums in 2012 alone.  they are prolific, almost too prolific.  but i’d rather have too much of a good thing rather than too little.

below, hear the title track from the release i listened to:

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album a day – merle haggard ‘i’m a lonesome fugitive’

“i raised a lot of cain in my younger days
while momma used to pray my crops would fail”

today’s album a day was easy to listen to.  it was merle haggard’s classic 1967 album i’m a lonesome fugitive.

merle haggard is a legend so i won’t do the biography/recap section.  but i will say that this album was just as his ‘outlaw country’ phase was ramping up.  in the 70s, you see, rock n roll seemed all about ‘rambling’, ‘gypsies’, ‘gambling’ or ‘indians’ and country went through either a ‘traditional’ or ‘outlaw’ phase.

as far as country went,’outlaw’ was the most interesting.

this music has a slow, lyrical, languid sound.  you can almost hear the hooves of the horse driving the beat.  it’s simple stuff, sweet stuff.  it’s supremely gorgeous and enjoyable listening, even if often there’s not much ‘there’, there.  it follows simple forms to common results, but with merle haggard being a master, it never gets old.

below, hear the sweet, harmonic title track:

“i’d like to settle down, but they won’t let me….”

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album a day – tenacious d – rise of the fenix

this wasn’t today’s album a day.  this was two weeks ago.  i had a serious computer hard drive problem and i am just not getting back into it.

anyways …. it’s tenacious d this time.  comic actor jack black and his musical sidekick kyle gass.   some people don’t know about this part of jack black’s career.

back before he was a mainstream actor in movies he was just a guy doing performance stuff in comedy clubs around los angeles.

the real musician of the duo is kyle glass.  his style isn’t super distinctive but he is a great player.   jack mostly sings.

it’s funny stuff and musically it’s very listenable.

the only problem i’ve ever had with tenacious d is that, while it’s a clever parody of what a ‘tenacious d’ might actually be like, it seems to put on while it’s putting on.   i always feel like it’s a pure goof, even when it borders on something really melodic or interesting.

an upcoming entry will be on flight of the conchords.  they seemed to bridge the gap between parody and musicality.  they are goofy guys and it’s a comedic put on, but when they play music, you get the impression that those characters believe what they are coming across as.  it’s sweeter, it feels more authentic and musically, it’s more honest.  i like tenacious d very much, but i often find myself hoping for that same kernel of something more tangible from them, too.

jack black has a great voice and the lyrics are often hilarious (and very nasty), but i feel like it’s more mugging than a musical performance.   what i mean by all this is that this is as much a comedy album as it is a music album.

and as comedy it’s great.  as musical performance…it’s …. fine.   but sometimes, while listening to them, i just wish they’d quit clowning and sing something without goofing, because kyle and jack have a great sound together, that’s all.

below hear the title track:

below, see some vintage tenacious d.  it’s the first of the shorts they did for hbo.  paul f tompkins introduces them at the club…

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