Tag Archives: folk

searching for sugar man – documentary film review

searching for sugar man is a great documentary on a perfect subject.  jesus ‘sixto’ rodriguez is a mexican-american singer/songwriter from detroit.

he was a kind of day laborer and street angel who left an indelible effect on just about every person he ever came in contact with.  his music was like a hybrid of bob dylan and van morrison.  deep lyrics.  smooth, sweet singing style.  melodies that stay with you, haunt you even.  messages that impact you.

he got the attention of a couple of motown-related producers (it being detroit, after all) and got a record deal.  he put out a couple of albums in 1970-1971.  they didn’t sell and he was dropped from the label.

he went back to mostly working and largely forgot about music as a vocation.

but some bootlegs of his music made it to south africa, where in the brewing anti-apartheid era his songs helped usher in a generation of young people ready for change.

some record companies there begin to license his music from impresario clarence avant, who had signed rodriguez to his record deal in the first place.  over the years, it’s estimated that he sold over 500,000 records in south africa alone.  this all happened without rodriguez knowing because, well, it’s the music business.   they just kept the money and rodriguez had no idea of his overseas fame.

and about 25 years later, some of these young people are now journalists and professional adults.  they have heard rumors from the beginning of their exposure to him of his death, his suicide even.  they resolve to find out who their hero was and what happened to him.

what they find is an amazing talent with an angelic, shy temperament.   the story unfolds in a deliberate fashion, building to a most satisfying and endearing conclusion.

i posted a recent album a day about about his two studio albums.

this is a great documentary.  not because i adore and identify with it’s subject, though i do.  it’s great because, using very little set design or anything fancy, save for a couple of brief animations, they create a film that is not just in love with rodriguez, but in love with film, itself.    through the editing, the positioning of the interviews, the few file photos they have to work with and the interspersing of sixto’s great songs, film maker malik bendjelloul has created a labor of love that is a perfect work of art all it’s own.

it’s hard to believe that this is his first film, his first real….anything cinematic.  adoration of his subject and simple, honest film making techniques create a narrative that is compelling and irresistible.

i’ve been listening to rodriguez constantly for about a month now.  at least once a day i listen to all of cold fact.   i knew the story inside and out already and yet the film was a revelation.   the impact of this film on people who aren’t familiar with him is even greater.

when the film reached it’s conclusion, in a theater with about 40 attendees, almost no one moved until the very end of the credits – always a good sign.

in a small way, i can relate to rodriguez.   like a lot of people, i have these high minded ideas and art i want to pursue.  some of it is actually finished, and behind me.  some is right here on this computer.  not many have paid attention, and maybe i mostly think it’s not that good.  i’ve worked mostly manual labor my whole life, harboring this part of me, expressing it when i can and doing it when time and energy permits.

i don’t know that i’d deal with people tracking me down, a quarter century later, to tell me i was ‘more famous than elvis’ in their country because of my work as admirably as rodriguez did.   can you imagine?

after his brief music career, he just moved on with his life.  went to college.  worked.  raised three daughters.

i don’t think rodriguez ever expected anyone to come looking for him.  i don’t think he cared.  obviously the money wasn’t important to him.  but he did enjoy the recognition, after all that time.

i think some part of this film will touch so many so deeply because they, too will see themself in his story:  earnest, poetic, genuine, worthwhile, unappreciated.  having the world shake you by the collar and remind you that you are adored and acknowledged reaches into the quietest part of even the most restrained ego.

his story speaks to a true love of art and craft.  his honesty and idealism make him appear somehow holy.    he’s this gentle soul, with loving daughters, whose wistful self expression will linger on your mind like one of his beautiful songs.

below, listen to his song forget it:

and then, listen to the very catchy song i wonder:

and finally, the trailer for the film:

Share

album a day – woody guthrie / the asch recordings

a recent album a day listen spanned several days, because it was several discs.  i listened to a different disc each day, repeating a couple of the discs so it took me a week of listening, all told.

woody guthrie was a wandering soul of great talent.  he wrote, he drew and he painted.  he performed on the radio.  but mostly he played music.

he migrated across the country in the dust bowl era and his music became a chronicle of the things he saw.  i feel silly writing a biography about him but i asked three different people today if they knew who he was and i was surprised to hear ‘no’ each time.    he’s a classic american character.  he’s the type of person we all ought to know something about.

he performed with pete seeger and inspired people like phil ochs and bob dylan.   he is the beginning of a folk legacy that right now seems still.  this is unfortunate, because we’ve got a lot we should be singing about and against.

his songs are deceptively simple.  they often borrowed from various pre-existing melodies, structures and themes, but were something wholly their own.  woody relished in playing the part of the country bumpkin, of the wide eyed country boy with an aw-shucks appeal whose classically structured songs advanced an intellectual savagery that was not lost on those around him.   he sported a guitar that often read “this machine kills facists”.

woody plied his trade, purely on his own terms, in a time when you could strangely say a lot more ONLY if you said a lot less.  that sounds paradoxical, but it’s true.

he was affiliated with certain communist groups.  he sang songs that questioned who we were and what we were doing, often while in the employ of the government through things like the wpa and the grand coulee dam project.  he seemed to walk and often fall off a tightrope in his personal and professional life, but he never stopped plugging away.

he really hasn’t gotten the attention he deserves, although the musical community recognizes his contribution.  i’m talking about the rest of the world who haven’t embraced him yet.

his lyrics can be taken literally, and simply.  and yet, when looked at closely, a lot of his lyrics are quite revolutionary in the context of their time and are revelatory about who we think we are as americans.

take the song below.  written in the late 30s, it appears to be a simple song of unrequited love.  but for some, it’s seen as perhaps the first note in the american gay rights movement.

the song is simple.  listen for yourself, the lyrics are below.  in the song, woody is talking about an unrequited love he could never express.  his ‘true love’ ends up dead somewhere, after he misspent all his time with certain women.  maybe it’s just from a woman’s point of view about some guy.   but i am convinced that it is not.   i’m convinced the song is woody’s gentlest of prodding about the fact that there were gays among us, and not just that – but that they had feelings and emotions that were valid and a true as anyone else’s.

it’s a perfect example of what woody guthrie could do:

first time I seen my true love
he was walkin’ by my door.
the last time I saw his false hearted smile
he was dead and cold on the floor

there is a house in this old town,
and that’s where my true love lays around.
takes all those women right down on his knee
tells them a tale that he won’t tell me

don’t go to drinkin’ and a gamblin’,
don’t go there your sorrows to drown.
this hard-liquor place is a low-down disgrace,
the meanest damn place in this town

it’s hard and it’s hard, ain’t it hard
to love one that never did love you
it’s hard, and it’s hard, ain’t it hard, great god,
to love one that never will be true

Share

album a day: the corrs – unplugged

yesterday’s album a day was the corrs, unplugged.

the corrs are hard to dislike.  they play a kind of celtic pop music that features an interesting array of instrumental choices.  the girls are pretty and they sing like angels.  their musicanship is top notch.  their songs vascillate between cheery and dripping with emotion.  it’s a nice mix.  the songs rarely sound very different from each other.   their stuff takes on a uniform tone, which sometimes is lost on me.

i mean, it’s pretty, and it’s sweet.  but after a couple of songs it’s kind of blah.  but i’m a grump.

but really, the only negative thing i can say about the corrs is that the lyrics of their original songs often feel pedestrian, sappy, and maybe a little one dimensional.

at the end of this disc, they cover REM’s ‘everybody hurts’, which is one of my least favorite REM songs.  their version is at about the same tempo, and much prettier, but somehow more boring.

if you haven’t ever heard any of this irish treasure’s stuff, you should seek it out.  if it hits you right, you’ll think it’s the prettiest thing in the world.  even for grumpy me – at times, it is.

Share